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""
—Jon Andrews, Down
Beat (June 2000)
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1999 All
Music Guide Pick: "Best
of Artist"
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1999 AFIM Indie
Award nominee
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"...the strongest
music of the decade just ended." —Bob
Blumenthal, Boston Globe (6 October
2000)
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"...Varner
has recruited an impressive group who are among the
hottest if not finest modern jazz musicians on the
scene today.... There's a
lot to get excited about on Swimming as
Varner excels as a multifaceted composer who injects
a good deal of emotion and color into his work which
is enhanced by a supremely
motivated ensemble who share Varner's
plight and compelling vision. After listening to
this recording several times, it became apparent,
that Varner has established a
unique jazz vocabulary. Swimming should
not go unnoticed! Highly
recommended."
—Glenn Astarita, AllAboutJazz.com
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Top 10
of 1999..."Swimming is
one session in which most jazz fans can
happily immerse themselves."
—Ken
Waxman, JazzWeekly.com
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"[Varner]
has patiently opened the doors to a very personal
American music, drawing on jazz and other traditions
and turning out some of
the best New York records of the 90's."
—Richard Cook, Jazz
Review Magazine (Feb 2000)
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"...Varner
has a Mingus-like gift for
intertwining complex counter-melodies in a manner
that's more soulful than acrobatic. This approach
creates countless opportunities for inspired improvisation
... Swimming is a
marvel of cohesive ensemble writing and playing..."
—Nate Chinen, Philadelphia
City Paper (3 Feb 2000)
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"The
music [is] swinging, intense, uncommon and wholly
mesmerizing."
—Thomas Staudter, Westchester
County Weekly (25 January 2001)
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"This intriguing
disc floats on beautifully structured solo and
ensemble sections filled with the
rich, resonant sound of Varner's facile
French horn playing.... The French horn
is one of the most beautiful and engaging of
all brass instruments, and Varner's one of the
few who play it so well in such a fine jazz context.
Recommended.
—Gene Hyde, Spectator (5
Feb 2000)
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"...more
traditional strains are also informed by the
contemporaneous sensibilities of Charles Ives,
as well as the later ones of Henry Threadgill
and Charles Mingus. And, like
[William] Faulkner, Varner plays with time and
narrative structure in fascinating
ways."
—Larry Nai, Jazz
Improv (Vol 2, No 3)
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"Tom
Varner is that special kind
of new jazz master who is pushing the
music in new directions... an
intense, profound and stunning hybrid of dazzling
improvisations and cleverly abstract musical
forms and melodies.... It is Varner's writing
where the mastery starts and his use of space, interplay,
movement and time signatures keep
the listener on the edge of their seat. Nothing
is predictable here. Swimming is more than
a splash!"
—JazzOnline (March
2000)
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"What
keeps both the players and listeners on their toes
is the eclectic world of
inspiration that Tom draws from —biblical
themes, science fiction, folklore, kitsch, funk and
modern classical music.... One of the
highlights of this great CD is the 'Seven Miniatures
for Mark Feldman', which pushes Mark's wondrous violin
through a diverse array of styles/genres - inside & outside,
modern jazz & classical, somber & explosive,
Mark is magnificent when given the chance to push
the limits.... Another
excellent offering from Tom Varner and
company."
—Bruce Gallanter, Downtown
Music Gallery
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"...a
welcome burst of quality,
a gold nugget after a hard day of coming
up from the mine empty handed."
—Blaine Fallis, About.Com (1
February 2000)
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"...some
of Varner's most accomplished,
sprawling work.... He's
got an impeccable melodic sense, making songs that
ring memorably long after they've departed."
—Andrew Bartlett, Amazon.Com
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"...Varner's
playing is articulate and
dazzling throughout. His lower-register
work on the usually unruly French horn is, in fact,
quite stunning. If you are unacquainted with Tom
Varner, Swimming is as good a place as any
to begin. And those who already know his music
will not be disappointed."
—David Prince, CDNow.Com
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"[Varner]
has mastered his instrument so that it is —incredibly —as
fluid as a smooth-sailing sax or a spirited violin....
...fine, well-rehearsed, and carefully arranged music
... Varner orchestrates
with a broad brush, his arrangements full and complex... ...one
of his best efforts to date." —Steven
Loewy, Cadence (June
2000)
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2001 Critics'
Best —Paulo
Gil, JazzPortugal.net
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"...Varner
uses his multi-horn band to meditate
on social and spiritual matters, all the
while keeping an ear to the ground and finding exciting
space to explore." —AtYourPlaza.com